The trouble with the sequel

IMG_5165My second novel is called ‘A Mother’s Work’ as in the saying ‘a mother’s work is never done.” And that’s the way it made me feel. As of yesterday, the manuscript rests in the lap of my publisher. I gave it a metaphorical pat on the head then booted it out on its own.

Part of me is proud. I actually wrote a second book. It is close to the 80,000 words I was shooting for. It has a sound plot with several twists. It is plausible from a police procedural point of view. I can do this. I can write books.

But part of me absolutely shitting myself. My first story took about three years from when I started writing it to when it went to print (any day now!). The story itself was bouncing around inside my head for a lot longer than that. By the time I actually sat down at a keyboard, it had already been thought through and nutted out. I consistently typed over 1,000 words an hour. Would have been even faster if I could touch type.

During that time, I also took courses, I read widely – things like writing blogs and crime novels – and I sought advice. The manuscript was handed round, edited, and improved on as the result of comments from an agent, a publisher and an editor. It was read and re-read and re-jigged and polished and nurtured and loved. By the time it was picked up by Pan Macmillan, they decided it didn’t even need a structural edit.

On the other hand, the sequel has spent its existence scuttling around behind more important things. I started writing it to distract myself from all the waiting as agents and publishers read and contemplated my first manuscript. And then all of a sudden my debut novel was bought and the sequel along with it. It had an April 30 deadline and they had already paid me some money for it. I had to finish it.

So it was completed on the fly, whilst I juggled the extensive editing of my first novel, plus all the extras requested off me – social media and photos and biographical info. Oh, and then I still had to go to my day job, and my family wants feeding every single day.

I’ve sent off with a bunch of disclaimers. As a manuscript, it is vastly inferior to the first. I know it has errors – big ones like plot holes as well as little ones like people’s names changing halfway through the story. I’ve had a red-hot go, but a snappy six months of broken writing with a looming deadline is just not the same.

Don’t get me wrong, I’m not whinging. I wanted this. But can I do this? Was the first one a fluke? Will this one need three years work too? Or am I a writer?

I’m going to find out in due course. But right now you’ll have to excuse me – I have to go start book three…